Poetry and Silence evening at The Lamb, 24 February 2026 at 7

Poetry and Silence at The Lamb

The early weeks of a New Year, while the evenings are still long, are a natural time for reflection. Many people find a potent silence in the action of reading or writing poetry. We sense a stillness that surrounds those moments when poetry ‘moves’ us. There are qualities of silence on the poem’s page, along the lines, connecting the verses, above, below, beside and between the words. And there is the experience of silence in life which comes to us through the poet’s understanding of our inner and outer worlds. Poets who read poetry make better poets. Readers get better too. 

Edward Thomas is gifted an owl’s cry in the night, Arthur Rimbaud holds his breath at dawn, Jorie Graham reflects on silence in the poem, Qiu Wei is walking in the hills and Wallace Stevens whispering about Winter.

From Akhmatova, Basho, Dickinson, Frost, J Graham, Heaney, Herbert, Keats, Qiu Wei, Rimbaud, Saba, Sappho, W Stevens, Edward Thomas, Wordsworth, Yeats

These sessions are always focussed and informal. Everyone can feel free to express their thoughts and feelings about the poems as they want to. A lot of ground gets covered, poems and readers come alive, and friends are quickly made of the poets and each other. 

That was delightful as usual. Quote of the day is “interstanzaic enjambment is my favourite thing!”
Lynne Suo, London
after Poetry and Silence online
"I thoroughly enjoyed today’s group. Your teaching - for it is that - is as deep and rich as ever".
Caroline Ward, Norway
after Poetry and Silence online
"It was lovely to be held once more in the palm of poetry!"
Marilyn Kinnon, Lymington
after Poetry and Silence online
"Janet and I thoroughly enjoyed the session and carried on talking, looking, picking and unpicking.... You were as stimulating as always, and the others added to the eye-opening and discovery process".
Irena Hill, London
after Poetry and Silence online
"Thank you for such an enjoyable and interesting afternoon. I am still thinking about it and looking forward to more discussion with my friends".
Janet Stott, London
after Poetry and Silence online
"Looking at the two versions of the Akhmatova poem, I was struck by the different interpretations. . . The original is so concise and enigmatic it could easily be taken in different ways. Anyway, I was so intrigued that I made my own effort".
Rod Riesco, Warwick
after Poetry and Silence online
"Thank you for a lovely evening, roaming through hopeful, thoughtful poets by candlelight - gosh, the Lamb is so nice".
Sue Gee, London
after Poetry and Hope at The Lamb, Bloomsbury
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Top picture: Forested Ascent, Bradley Palmer State Park, Topsfield (MA)

Second picture: Odilon Redon, Le Silence (1900), MOMA, New York

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